I was both surprised and pleased to be selected by art consultants to create a large-scale photographic mural for the new Community Dialysis Unit at Katoomba Hospital. The brief called for a “memorable, restful and welcoming” artwork stretching the full length of the facility – a wall 23.5 metres long. With windows and other interruptions, this was a challenging task, on a tight timeframe. So I enlisted my colleagues and friends Ian Charles and Marianne Walsh of Nature Tourism Services to apply their aesthetic, design and photo-editing skills.
Part of the mural “Flourish”, showing windows
We came up with a composite of several misty forest scenes from the higher Blue Mountains, with some inserted flora and fauna. The clients liked it and the printer completed a tricky install just in time for the opening in July. We hope the mural improves the experience of dialysis patients, who visit the unit up to three times a week for up to fours hours at a time. The unit is divided into three treatment ‘rooms’ and we designed the mural to provide some variety by being different but congruent across the rooms.
Plenty of research has shown the benefits of nature and art for health, wellbeing and recovery, and I was delighted to be able to use my photography for such a worthwhile purpose.
The Sierra Nevada is the largest stretch of wild country in the ‘lower 48’ of the United States, and a superb alpine landscape. Pioneer conservationist John Muir came to love the Sierra, which he described as the ‘range of light’. He made the area pivotal in the birth of the modern nature conservation and national park movement. In 1984 I did a long ski journey through the High Sierra and swore one day to return for the rock climbing. It only took 34 years, but in 2018 a friend and I made the pilgrimage. We climbed in Tuolumne Meadows, a little in Yosemite, and enjoyed long routes on six High Sierra peaks. Inbetween we visited some other wonderful places such as the Alabama Hills and the White Mountains with their ancient Bristlecone Pines.
My new monochrome exhibition has been showing at Light and Shadow Fine Art Gallery at Leura since 30 May, and at least some works will be there into July. Natural Reflections includes some images from Edge of Light, with a number of new works. Small prints are also for sale. Light and Shadow was opened in February 2018 to showcase the work of iconic Australian photographer Max Dupain. The gallery will continue to exhibit Dupain mixed with other photographers. Its the only gallery dedicated to photography in the Sydney region…so I hope people will support it!
My next exhibition will open at the Blue Mountains Heritage Centre on 1 December, running until the end of the month. This one is a departure for me, as Edge of Light is my first all-monochrome show. It features images from wild places I’ve explored, including the Blue Mountains (of course), New Zealand mountains, Tasmania, Greenland and Far North Queensland. Many photographs compare and contrast features from very different environments. I’ve been delving into B&W for a while, with both large format film and digital, and learned that only some images work for me in monochrome. Others just have to be in colour, while some can succeed in both modes with appropriate processing.
All images are for sale in limited editions, and some are also available in smaller prints. The Heritage Centre is down the end of Govetts Leap Road out of Blackheath, and is open 7 days, 9.00 to 4.30 (closed Christmas Day). I hope you enjoy it.
My upcoming solo exhibition at Blue Mountains Botanic Garden (Mount Tomah) will run for seven weeks from 2 September to 22 October 2017. The theme is A tree, a leaf a forest: Wild Gardens of the Blue Mountains, with 30 never-before-exhibited works of grand forests to leaves and lichens, woodlands, heaths, rainforest and swamps. If you ever thought the Australian bush was mundane or monotonous (shame!) I hope this show can correct that perception.
In the spring of 2016 I spent a few days in the valleys of the Allyn and Paterson Rivers, which drain the southern side of the Barrington Tops plateau in central eastern NSW. The purpose was to gather images in support of adding parts of the beautiful Masseys Creek and Chichester State Forests to Barrington Tops National Park. As I hope these photographs show (see Other Places – New South Wales mountains gallery), the area is well worthy of better protection.
I am one of six artists exhibiting in The Elements, a Blue Mountains Artists Network themed group show at Blue Mountains Botanic Garden, Mount Tomah until 26 March 2017. My photographs are in impressive company, with paintings by Shane Smithers and Adrian Gilbert, installations by Regine Wagner, mosaics by Caitlin Hughes and photos by Gary Hayes.
My new exhibition,The Blue Mountains: grandeur and intimacy, will be held at Blue Mountains Botanic Garden, Mount Tomah, from 7 March to 27 April 2015. Entry is free, 9.30am to 5pm daily.
For this show I have put together 30 diverse works, two-thirds of which have never been exhibited before, with the aim of affirming “the magnificence and value of the Greater Blue Mountains World Heritage Area”.
On the way back from Greenland (pics still coming!) at the end of August, I spent 8 days on the Laugavegur trail in Iceland. The name means something like “Hot Springs Way” and its the most popular extended walk in Iceland. The trail traverses an astounding and varied volcanic landscape, first across colourful, thermally active rhyolite highlands, then through more stable and very black lava country, with icecaps looming all around. I walked south from Landmannalaugur to Thorsmork (“Thor’s Forest”) and then continued over the 2010 Eyjafjallajokull eruption site and and Fimmvorthuhals (“Five Cairns Pass”) to finish at Skogar on the south coast. There was a lot of fog and rain! (plus one ‘hurricane’) but on the last morning a frost.
(My apologies that this template does not allow the use of special Icelandic characters for authentic spelling).
Selected Iceland images are now available in the New Images gallery.
Our first order from overseas for a large print has just been completed…a gift for an ex-pat Aussie in England, who is apparently missing the Great Australian Bush.
The image chosen was “Morning, Blue Gum Forest” (from the Blue Mountains – Upper Grose Valley gallery), at the huge size of 40 x 50 inches (more than 1.25 square metres). From a 4×5 inch transparency it came up impressively at that size on Fuji Pearl paper, with excellent sharpness.
This positive experience with a very large print inspires confidence in doing similar orders in the future. If you would like to fill most of a small wall with a forest, a river, or anything else from the galleries, please get in touch!